Editions
But then what can a painter use, save for the intuitions and insights of the conscious mind and the material sources of the surrounding world? To understand painting is therefore to experience a sentient mind applied to matter with a sense of its prescient immediateness, while at the same time utilising what is materially available in the world.
The Matter in Hand (The Art of Jason Martin) by Mark Gisbourne, Jason Martin: Meta physical exhibition, STPI gallery, Singapore, 2019
Transference 2018
Pulp and cel-vinyl on paper
88 x 74cm (Unique)
Veritas white I 2018
Pigment and Lascaux structura Natural on paper
88 x 75cm (Edition of 6)
Untitled White 2014
Mixografia print on handmade paper
68.5 x 51cm (Edition of 25)
Untitled I
II 2018
Split-bite aquatint on paper
Diptych
78 x 71cm each (Unique)
Untitled Prussian Blue 2014
Mixografia print on handmade paper
63 x 101cm (Edition of 25)
Running for the hills 2018
Pulp and texture paste on paper
167 x 135cm (Unique)