Abstraction and illusion are not usually associated, but, as in that most sophisticated type of ancient ornament that uses plants, animals or human faces to make simplified, abstract patterns, the two really do meet in his work. This is the illusion that I find most thrilling: an illusion that might in turn evoke inner or outer space, the density of a forest, the enormity of an ocean, the mystery of the night or the intensity of the sun, not to mention the music of the spheres.
Jason Martin by Norman Rosenthal, Charta catalogue, Lisson gallery, London, 2004
Oceania 2006
Oil on stainless
Ø 175cm
Cat o’nines beast of burden 2011
Oil on aluminium
244 x 244cm
Vertigo 2006
Oil on aluminium
220 x 500cm
On the left (tondo):
Patroa 2018
Bronze
Ø 130cm
Egypto 2011
Oil on aluminium
245 x 180cm
Pulse 2007
Oil on stainless
173 x 173cm
Hero 2005
Oil on aluminium
244 x 366cm
Untitled 2009
Oil on aluminium
210 x 210cm
Peak 2006
Oil on aluminium
184 x 317cm